And of course – Gilad Hekselman, a musician I love collaborating with on any occasion. I would like to thank Oded Lev-Ari for his expert ears and wisdom. I was grateful to work on this project alongside THX and Qobuz, two companies committed to providing a high quality music listening experience, allowing us to bring our intimate studio experience directly to the ears of listeners. With this audio format I could express the influences of both the acoustic and electric worlds we breathe. The THX Spatial Audio format amplifies the building momentum heard as the track progresses, especially ~3.5 minutes in when the clarinet tracks soar with and above the multiple layers of guitars. We recorded the song as an acoustic duo and then added layers of clarinet and guitar. Vic was a wonderful musician and person who inspired many listeners, students and colleagues including myself and Gilad. ” I recorded “Calling Vic Juris” with Gilad Hekselman, a song that he wrote in honor of the great jazz guitarist Vic Juris who passed away in 2019. If “Double Dare” is an anecdote to fear, this cover of “Double Dare” in THX Spatial Audio ups the dosage.”Īnd Anat Cohen said of recording “Calling Vic Juris: The way the harmonics and feedback bounces and resonates around in THX Spatial Audio feels like being in the eye of a tornado. My favorite part about the CdY interpretation of “Double Dare” is the way Whitney (Johnson) represents the screeching guitar part with a viola and overdrive pedal. “Double Dare” is a song filled with immense power. Haley Fohr of Circuit des Yeux said of recording “Double Dare: in THX Spatial Audio and you’ll hear crunchy overdriven guitars and unique movement within the song for a satisfying, dynamic, immersive listening experience – HERE
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